“Warm Love” (featuring Jackie DeShannon of “Put a Little Love in Your Heart” and “What the World Needs Now Is Love” fame on backing vocals) is a minor classic and appealingly recalls Moondance’s “Crazy Love,” and the opening cut “Snow in San Anselmo” is one of Morrison’s most underrated post-Saint Dominic’s Preview songs of the ‘70s, but beyond those two cuts, there’s little else here worth recommending and the disc ends up being his weakest overall since Blowin’ Your Mind, which, while slightly spottier than this disc, at least has a strong single in “Brown Eyed Girl,” while this disc lacks any real obvious hits. For fans of Morrison’s more concise material, you’ve got songs like the R&B-tinged “Jackie Wilson Said (I’m in Heaven When You Smile),” which would have been at home on His Band and the Street Choir, and the lovely “Redwood Tree,” which retains the country influences of Tupelo Honey. What are some songs that don't have an intro? What do your family listen to and how do their tastes resonate with yours? It’s a bit overrated, yes, but coming as it did after Hard Nose the Highway, it’s a pleasant – if not exactly commercial – step back in the right direction and is his strongest disc since Saint Dominic’s Preview, even if it stops shy of reaching that album’s greatness and masterful balance of styles. The disc also contains what would sadly be the last Top 40 hit Morrison would ever have in the U.S., the infectious “Wild Night,” which would become a massive hit two decades later for John Mellencamp and Me’shell Ndegeocello. The annoyance of corresponding to a description in a popular song, artists that emphasize quantity over quality but are also pretty good, Whats the "objectivley" best album of all time, Well known artists with basically the same name. His Band and the Street Choir (1970, Warner Bros.)A  It’s not nearly as famous as the two albums that preceded it, but His Band and the Street Choir stops only a hair short of being as enticing as Moondance and is perhaps just a track or two too long for its own good. But, given time, the album does slowly work its charms on you, and cuts like the sweeping title cut, the wistful “Sweet Thing,” the stark “Slim Slow Slider” (consisting of just a guitar, flute, and upright bass, but no less magical for its simplicity and sparseness), and the heavy jazz kick of the brass-laden “The Way Young Lovers Do” (which sounds in danger of careening off track at any given moment but miraculously manages to stay focused) all have great appeal to the more patient listener willing to give this several spins. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. George Ivan Morrison [birth name], Sir George Ivan Morrison, Show all 138 Bootlegs / Unauthorized releases, Brown-Eyed Girl / Goodbye Baby (Baby Goodbye), Wild Night / When the Evening Sun Goes Down, Jackie Wilson Said (I'm in Heaven When You Smile) / You've Got the Power, Full Force Gale / Bright Side of the Road, Have I Told You Lately / Contacting My Angel, Once Were Brothers/Let Love Reign/I Hear You Paint Houses, Peppers & Eggs: Music From the HBO Original Series The Sopranos, Whenever Bob Shines His Light on Van (Duets), Live at Vara Studios: Hilversum, Holland, June 22 1977, My 200 Favorite Musical Artists of All-Time, [SPOTIFY Playlist] Best Tracks from the Best Albums of All Time, Top 100 favourite songs (before September 2011), every artist on RYM in the order they were posted (a neverending work in progress), Albums where one of the most beloved songs is one of your least favorites. What musician would be a worthy laureate for the Nobel Prize in literature, Artist doppelgängers and uncanny resemblances, Low-Key Song Recommendations with Poetic (or at least thoughtful) Lyrics, The Greatest Rock Singer of All Time? Astral Weeks (1968, Warner Bros.)A +One of the most highly-regarded and influential pop albums of the late ‘60s, this disc’s reputation has unfortunately tended to overshadow the entire rest of Morrison’s catalog. Saint Dominic’s Preview (1972, Warner Bros.)A +Although nothing from this disc could be called a true hit per se (even the highest-charting single here topped out at #68), making this disc Morrison’s first since Astral Weeks to fail to garner a Top 40 hit, this might actually be his strongest album as a whole since Moondance. (A: Freddie Mercury, obviously), Albums that would be perfect for wee Small hours. TB Sheets. There are just eight tracks here, and two of those songs are covers (one of which is the Kermit the Frog song “Bein’ Green” from Sesame Street, and, no, we’re not kidding), while few of the six originals have particularly strong melodies. The Boys Season 2: What Is The Church of the Collective? Albums include … The album’s been more or less disowned by Van Morrison in the years since, owing to label owner Bert Berns having allegedly compiled and released this disc without Morrison’s consent (reportedly, Morrison had intended this material to be spread out over four singles, rather than being released as an album), but it’s not nearly as bad as he might have you think. Less jazz-influenced than its immediate predecessor, Street Choir instead delves headlong into R&B and gospel, which seems a more natural move since Morrison is, at heart, a blue-eyed-soul singer more than anything else. Great albums that their creators dislike? In short, there’s a good reason this album was more commercially successful than Astral Weeks was. But if you leave out the Them/Bang period and all the brilliant tracks from 1980 to now you leave out half his greatness. Discog Fever is a regular feature on thegreatalbums.com, rating and reviewing a band's entire catalogue of studio albums. Ranked: Van Morrison Albums From Worst To Best. Artists who had some sort of moral/spiritual awakening and abruptly changed their music as a result? Ranked: Van Morrison Albums From Worst To Best The dizzying highs and stomach-churning lows of a forty-five year career. Which 3 do you pick? Van Morrison discography and songs: Music profile for Van Morrison, born 31 August 1945. The title cut is one of Morrison’s loveliest – and most underrated – ballads, while “You’re My Woman” is no less passionate and the pastoral waltz “I Wanna Roo You” no less charming. It’s perhaps not as focused as either of the previous two albums, but that actually ironically works to the disc’s advantage since it plays out like a summary of all the ground Morrison has covered since joining the Warner Brothers family. This had the potential to seem a little schizophrenic, but the album’s sequencing guards against that, bunching most of the more pop-friendly material together on the album’s first side and holding the more experimental cuts over towards later in the disc, making it feel like a more fully-thought-out album piece. Joe Biden VP Candidate Karen Bass Walks Back Praise For Castro, Scientology. Discog Fever - Rating and Reviewing Every Van Morrison Album (Part 1), ← The Great (Live) Albums: The Grateful Dead’s ‘Live/Dead’, Discog Fever - Rating and Reviewing Every Electric Light Orchestra Album (Part 2) →. The stark “Come Here My Love” is quite beautiful, as is the gentle sway of the album-opening “Fair Play,” while Morrison’s falsetto on “Who Was That Masked Man” is surprisingly impressive. Veedon Fleece (1974, Warner Bros.)B +  It’s less experimental in nature than Astral Weeks, but like that iconic album, the high esteem that this disc is held in stands in stark contrast to the amount of appeal the record is likely to actually have for Morrison’s more pop-minded fans. The Northern Irish singer Van Morrison has released 41 studio albums, 6 live albums, 6 compilation albums, 4 video albums, and 71 singles.. Morrison made his first recording playing saxophone on "Boozoo Hully Gully" with the International Monarchs in 1962. The rave-up “Moonshine Whiskey,” in contrast, is harder-rocking and more elaborate, boasting more tempo changes than nearly any other Morrison song up to this point. Sheets” (about a young woman dying of tuberculosis, although the music itself somewhat masks the depressing nature of the lyric) and, better still, Van’s first – and perhaps still his best-known – hit single, the sun-kissed nostalgia of the lightly-calypso-tinged “Brown Eyed Girl,” one of the truly quintessential pop 45s of the 1960s. Who has had a better six album run than Zeppelin? If you could only listen to 5 artists who would they be? Genres: Singer/Songwriter, Folk Rock, Chamber Folk. Artist's most popular song on their worst album? That record would come next. When I say "Adult Contemporary", what is the first thing to come to mind. Moondance (1970, Warner Bros.)A +Not nearly as highly revered by critics as Astral Weeks but a much more easily approachable album, Moondance may not be as ambitious or play like quite as much of an album piece as its predecessor, but it’s arguably a better demonstration of Van Morrison’s strengths as a songwriter – the hooks hit harder, and the songs are tighter and more focused and the lyrics a little easier to wrap your head around. For me it's a bit tricky to answer because Van Morrison is a half great album artist, half great song artist. A Period of Transition (1977, Warner Bros.)BUsually derided by critics, it’s true that the title of this Dr. John-co-produced disc is a somewhat apt description (Van hadn’t made a record in nearly three years – an unusually long hiatus by his standards – and was naturally trying to figure out how to regain his footing and move forward, particularly amidst a changing musical landscape, largely jettisoning the more pastoral sound of Veedon Fleece and reverting to the more R&B-oriented sound of His Band and the Street Choir), but the album (while much too brief, containing only seven songs for a combined total of less than thirty-four minutes of music) is a bit more commercial and less insular than Veedon Fleece and the material is stronger than most of Hard Nose the Highway. But, like Astral Weeks, the album’s less impressive for its songwriting per se than the statement it makes as an album piece, and some listeners may simply find it too insular to warm up to at first, although its beauty will manifest itself soon enough for the more patient listener. If you like Morrison’s more experimental material, you’ve got a trio of songs recalling the more free-form nature of Astral Weeks, including two epics that clock in at over ten minutes, “Listen to the Lion” and the synth-centered “Almost Independence Day.” Though the disc never feels quite as radio-friendly as, say, Moondance, the inclusion of cuts like “Redwood Tree” and “Jackie Wilson Said” still make the album feel a little more approachable than Astral Weeks, and Morrison does a nice job of offering up something for each element of his fan base. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy. What is your favorite version of "It's All Over Now, Baby Blue"? by Nick Keppler Van Morrison has proven to be the most prolific of the mid-'60s rock stars, averaging a new effort every year and a half for forty-five years. Who Should Your State Build a Statue For? IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. But there’s only two truly essential songs here: the slithering grooves of the near-ten-minute epic “T.B.

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