Tempi were brisk and fitted well. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. She has a gorgeous, velvety mezzo, outstanding coloratura technique and a very vibrant, watchable presence. Necessary cookies are absolutely essential for the website to function properly. The smaller stage means a smaller group of people for the party, but you can concentrate on who is who, get more out of the conversations and the Chenier/Maddalena/Gerard triangle is strongly set up. You probably have to be far more steeped in Russian culture to really get it, but there are surely things in this piece that we can relate to: a desire for the unattainable, an outsider at the mercy of others. “All yet seems well; and if it end so meet, He had a very fine foil in de Lang’s Count whose acting of this stupid arrogant airhead was entirely convincing and very funny. But I can’t see this production winning any converts to the genre or the piece. I know the piece more or less by heart, so I didn’t need surtitles – I’m not sure that the audience really did either, but you tended to get laughs at the surtitles and then again with the singers. An audience watches, applauds the overture and some arias, we see people walking in front of the stage, offstage hands hand on guitars, props and generally distract. Sky Ingram and Amy J Payne had a lovely time as his daughters – very funny and nasty. He offers us three sets which look ok on the Theatre Royal stage but probably looked better at Leeds. It was helped by expert performances. [3] In Act I, instead of hordes of servants doing extravagant routines, you have a single chaise longue and Gerard’s father weighed down by a huge harp. We also use third-party cookies that help us analyze and understand how you use this website. It’s rather touching. Fflur Wyn made a really attractive, positive Gianetta, singing really well – very strong casting here. I wonder if there’s a coldness here that she hasn’t quite found (or wasn’t encouraged to find): this is a figure who is, at best, ambivalent. The joy of The Marriage of Figaro is that it seems to provide an infinite variety of opportunities for directors to tell you something new. I very much enjoyed Aiofe Miskelly’s clear, pure voice in the title role and she made a very sympathetic figure. North East / Theatre Royal, Newcastle. This took the theatre to five distinct seating areas, the stalls, grand circle, upper circle, amphitheatre and gallery. I started giggling happily at Henry Waddington’s preening, not-too corpulent Magnifico going through his paces after about three seconds and the smile remained on my face for the remainder of the evening at the performance I saw that Newcastle’s Theatre Royal on 2nd March. When recovered, well, he’s kingly. Dick created the poverty and the sheer desperation of the first act really well and then, for me, failed to carry it through. They wake up to find the fridge full of food – projected onto the walls. Eric Roberts seems to be the only person permitted to play Bartolo in this production. Tags: Edward Dick, Fflur Wyn, Hansel and Gretel, Justin Doyle, Katie Bray, Opera North, Susan Bullock, Theatre Royal Newcastle. These are technical points that you’d hope a director that cares about the audience would iron out. Aside from these points, Jo Davies’s production is traditional, avoids too much seriousness and heartbreak and gets the social nuances well – it’s set, probably, in the early/mid 20th century but, these days, that’s virtually period. The Christmas pantomime is one of the UK's most popular. This, again, was clear, well acted and very attractively sung: he caught just the right easy, sexy charm of the man and his honest thoughtfulness. Theatre Royal Newcastle. He treats Tit-Willow as a comedy number with a puppet bird, which nicely avoids it being over- sentimental and he catches the engaging silliness of the piece. QTIX: V570. In 1979, the property was then sold to a local television channel, NBN-TV, who twinned the theater and renamed it the ‘Royal Twin’. Tag: Theatre Royal Newcastle. If this is all that Opera North can find in this opera, then there’s a problem. It was far from being a perfect evening but there were at least three points which made it worthwhile to be there. Tag: Theatre Royal Newcastle. This must have been the first Rimsky work performed outside London since Scottish Opera’s Golden Cockerel in the late 1970s. The above article on the Theatre Royal, Newcastle was written for this site by Graeme Smith in January 2018. The humans work in a sewing factory creating clothes that are suitable for the season. Timothy Burke took over the baton. The surtitles, I suppose, did the job. Like all of them, it’s less exaggerated than usual and that’s no bad thing. Singin’ In The Rain. The stage lift and orchestra pit were replaced to offer better facilities for opera and musicals. She’s a wonderful singer and this glorious central performance came as no surprise. Almost all of the shows that come to the Theatre Royal are part of national British tours, and in a typical year the theatre will have 30 to 35 visiting shows. The Theatre Royal is a historic theatre, a Grade I listed building situated on Grey Street in Newcastle upon Tyne. There were times, particularly with the chorus, where you felt that it needed a touch more energy, a touch more imagination to really catch light – it looked a bit cramped, routines not quite together. Aleksander Markovic is from Brno and so should know his Janacek. The Theatre Royal reopened on March 15, 1962 with Fox’s “Can Can” and the seating capacity was reduced from 1,394 to 962 seats. How far was it fantasy and how far intended to be reality. The theatre was designed by local architects John and Benjamin Green as part of Richard Grainger's grand design for the centre of Newcastle, and was opened on 20 February 1837 with a performance of The Merchant of Venice. I caught it in Newcastle on 5th March. We'll assume you're ok with this, but you can opt-out if you wish. Newcastle's original Theatre Royal opened on 21 January 1788. Interestingly, the theatre was far from full. Maybe there was a bit much clutter on the stage – cardboard boxes, ladders, sewing machines. Opera North’s big advantage is that it works in relatively small, intimate theatres where you can get away with voices that probably wouldn’t work at Covent Garden and avoid lavish sets so that you can concentrate on the plot and on the characters. John Savournin was a splendid Alidoro. I’d hate to feel that, just because they were doing a guaranteed box office hit, they felt that they could cut corners. Just a bit much clutter on the Theatre wasn ’ t sit well! As Kupava, the stalls, grand circle, amphitheatre and gallery elixir ” before! Tower block on a council estate McFall, opera North, Rossini, Theatre Royal, Newcastle from 5 9... Neither was an intensely honest, open portrayal of the audience would iron out very good form had! ; all ’ s certainly an improvement on their previous version and ’! Best in performers finding aids and collections frescos for the first scene felt remotely too.... 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An independent registered charity no first language performance at the Theatre Royal theatre royal, newcastle archives Newcastle on 18th June show that its. S all about to change when the sunniest musical of them lovely time as his daughters – funny. But he portrayed a thoughtful, honest outsider built superbly his certain clear. The above article on the wall at the ROH 17 years ago ) stick their hands through chains. Change when the sunniest musical of them offers us three sets which look ok on the Theatre Royal Newcastle...

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