O, swear not by the moon, the inconstant moon. She, I'll swear, hath corns; am I come near ye now? Conceit, more rich in matter than in words. To soar with his light feathers, and so bound. an ancient feud between their powerful families. I saw no man use you a pleasure; if I had, my weapon, should quickly have been out, I warrant you: I dare, draw as soon as another man, if I see occasion in a, Now, afore God, I am so vexed, that every part about. And finding him, the searchers of the town. It is good but there is no love just lust. Adieu, adieu! I will go call the watch. What cursed foot wanders this way to-night. That pierced the fearful hollow of thine ear; Nightly she sings on yon pomegranate-tree: Believe me, love, it was the nightingale. 'Tis almost morning; I would have thee gone: Like a poor prisoner in his twisted gyves. O, let us hence; I stand on sudden haste. This love feel I, that feel no love in this. shortly, for one would kill the other. Therefore we'll have some half a dozen friends. I would not for the world they saw thee here. How art thou out of breath, when thou hast breath. I'll go and chat with Paris: hie, make haste. The quarrel is between our masters and us their men. This same should be the voice of Friar John. [Aside] I would I knew not why it should be slow'd. Which once untangled, much misfortune bodes: This is the hag, when maids lie on their backs. Nurse! Thou wilt fall backward when thou hast more wit; Wilt thou not, Jule?' That plats the manes of horses in the night. Dry sorrow drinks our blood. I pray thee, good Mercutio, let's retire: And, if we meet, we shall not scape a brawl; For now, these hot days, is the mad blood stirring. I brought my master news of Juliet's death; To this same place, to this same monument. wilt thou slay thyself? A dog of that house shall move me to stand: I will. I have night's cloak to hide me from their sight; And but thou love me, let them find me here: Than death prorogued, wanting of thy love. Things for the cook, sir; but I know not what. Why, then, O brawling love! what's your will? One of Berlioz’s finest and most original works was inspired by an 1827 Paris performance he attended of 'Romeo and Juliet' (pictured) which starred his beloved Harriet Smithson. Peer'd forth the golden window of the east. Suites of the music were heard in Moscow and the U.S.A. before the full ballet premiered in Czechoslovakia in 1938. And in my temper soften'd valour's steel! Its popular 'Dance of the Knights' is used as the theme for TV's 'The Apprentice'. Where is my father, and my mother, nurse? If you do, sir, I am for you: I serve as good a man as you. O love! And with this knife I'll help it presently. [Aside] For all this same, I'll hide me hereabout: His looks I fear, and his intents I doubt. As much to him, else is his thanks too much. thou dost not mark me. And make her airy tongue more hoarse than mine. Give me some present counsel, or, behold, 'Twixt my extremes and me this bloody knife, Which the commission of thy years and art. After hearing a performance of Berlioz's ‘Harold en Italie,’ the great violinist knelt before the composer and hailed him as the heir of Beethoven. Shakespeare’s complete original script based on the Second Quarto of 1599, with corrections and alternate text from other editions indicated as: 1 First Quarto of 1597; 2 Second Quarto of 1599; 3 Third Quarto of 1609, 4 Fourth Quarto of 1622, 5 First Folio of 1623, and + for later Speak, nephew, were you by when it began? Where are the vile beginners of this fray? ROMEO. Which too untimely here did scorn the earth. God join'd my heart and Romeo's, thou our hands; And ere this hand, by thee to Romeo seal'd. Block licences, such as PRS or CCL, do not apply. Download ''Wachet auf' (4)' on iTunes. Music plays, and they dance. I anger her, sometimes and tell her that Paris is the properer, man; but, I'll warrant you, when I say so, she looks, as pale as any clout in the versal world. And bid him come to take his last farewell. Is crimson in thy lips and in thy cheeks. It was soon parodied at the Théâtre Déjazet, as 'Rhum et eau en juillet' - 'Rum and Water in July'. That thou her maid art far more fair than she: And none but fools do wear it; cast it off. Scurvy knave! Hark you, sir. That God had lent us but this only child; You are to blame, my lord, to rate her so. No faith, no honesty in men; all perjured. Come, madam, let's away. Thus then in brief: The valiant Paris seeks you for his love. Then love-devouring death do what he dare; And in their triumph die, like fire and powder, Which as they kiss consume: the sweetest honey. What the heck. Yon light is not day-light, I know it, I: Therefore stay yet; thou need'st not to be gone. Here lives a caitiff wretch would sell it him.'. Wife! Hath Death lain with thy wife. And I'll still stay, to have thee still forget. And learn me how to lose a winning match. Go waken Juliet, go and trim her up; I'll go and chat with Paris: hie, make haste, Make haste; the bridegroom he is come already: Make haste, I say. Stand not amazed: the prince will doom thee death. That murder'd my love's cousin, with which grief, And here is come to do some villanous shame. Like death, when he shuts up the day of life; Each part, deprived of supple government. With gentle breath, calm look, knees humbly bow'd, Could not take truce with the unruly spleen, Of Tybalt deaf to peace, but that he tilts. O'er ladies ' lips, who straight on kisses dream. hast thou not a word of joy? A variety of titles cover all school occasions, including End of Year concerts, Christmas & Harvest. And drink it off; and, if you had the strength. let me see her: out, alas! Shall I speak ill of him that is my husband? heart is full of woe:' O, play me some merry dump. Indeed, I should have ask'd you that before. Only scripts can be emailed. Sweet, good night! then I'll be brief. And beg your pardon: pardon, I beseech you! Turning his face to the dew-dropping south. Why, how now, kinsman! These twenty-minute presentations are guaranteed to help busy teachers & will leave everyone with a catchy song and thought to take away! Can vengeance be pursued further than death? And stint thou too, I pray thee, nurse, say I. Belonging to a man. Say 'better:' here comes one of my master's kinsmen. Now, by my maidenhead, at twelve year old. Now I'll tell you without asking: my master is the, great rich Capulet; and if you be not of the house. Where all the kindred of the Capulets lie. I come, anon.--But if thou mean'st not well. comfort me, counsel me. Your looks are pale and wild, and do import. there's a French salutation, to your French slop. madam! But what say you to Thursday? Ah, what an unkind hour, I hear some noise. Feather of lead, bright smoke, cold fire. I met the youthful lord at Laurence' cell; Why, I am glad on't; this is well: stand up: This is as't should be. Hang thee, young baggage! Because for one: they kissed within hours meeting, at the same time being teenagers. Please add additional events using the Additional Performance Licence below. From forth the fatal loins of these two foes. Although styled an 'Overture-Fantasy', the overall design is a symphonic poem. which their keepers call. Cheerly, boys; be. be merciful, say 'death;', Much more than death: do not say 'banishment.'. Wisely and slow; they stumble that run fast. Displant a town, reverse a prince's doom. Canker'd with peace, to part your canker'd hate: Your lives shall pay the forfeit of the peace. © Copyright Debbie Campbell Musicals. Music within. Helped by Juliet’s well-meaning nurse and Friar Lawrence, the couple secretly marry. Where's Romeo's man? Then mightst thou speak, then mightst thou tear thy hair. Write your screenplay and focus on the story with many helpful features. https://www.scripts.com/script/romeo_and_juliet_97. And threatened me with death, going in the vault. When Prokofiev first presented his music to the Bolshoi Ballet, they claimed it was ‘undanceable’. Ah. One pain is lessen'd by another's anguish; Turn giddy, and be holp by backward turning; One desperate grief cures with another's languish: Your plaintain-leaf is excellent for that. Age Range 5 to 11, KS 1, KS 2   20 minutes duration. Could draw to part them, was stout Tybalt slain. I must hear from thee every day in the hour, O, by this count I shall be much in years. Well, in that hit you miss: she'll not be hit. Your lady mother is coming to your chamber: Then, window, let day in, and let life out. To catch my death with jaunting up and down! And smilest upon the stroke that murders me. Welcome, gentlemen! Either thou, or I, or both, must go with him. sweet-heart! My Account, T: + 44 (0) 207 490 8353  tell me, that I may sack. Come, gentle night, come, loving, black-brow'd night. I thought thy disposition better temper'd. understanding Shakespeare’s stage directions article, Shakespeare’s plays translated to modern English >>, Romeo & Juliet Original Text: Act 1, Prologue, Romeo & Juliet Original Text: Act 1, Scene 1, Romeo & Juliet Original Text: Act 1, Scene 2, Romeo & Juliet Original Text: Act 1, Scene 3, Romeo & Juliet Original Text: Act 1, Scene 4, Romeo & Juliet Original Text: Act 1, Scene 5, Romeo & Juliet Original Text: Act 2, Prologue, Romeo & Juliet Original Text: Act 2, Scene 1, Romeo & Juliet Original Text: Act 2, Scene 2, Romeo & Juliet Original Text: Act 2, Scene 3, Romeo & Juliet Original Text: Act 2, Scene 4, Romeo & Juliet Original Text: Act 2, Scene 5, Romeo & Juliet Original Text: Act 2, Scene 6, Romeo & Juliet Original Text: Act 3, Scene 1, Romeo & Juliet Original Text: Act 3, Scene 2, Romeo & Juliet Original Text: Act 3, Scene 3, Romeo & Juliet Original Text: Act 3, Scene 4, Romeo & Juliet Original Text: Act 3, Scene 5, Romeo & Juliet Original Text: Act 4, Scene 1, Romeo & Juliet Original Text: Act 4, Scene 2, Romeo & Juliet Original Text: Act 4, Scene 3, Romeo & Juliet Original Text: Act 4, Scene 4, Romeo & Juliet Original Text: Act 4, Scene 5, Romeo & Juliet Original Text: Act 5, Scene 1, Romeo & Juliet Original Text: Act 5, Scene 2, Romeo & Juliet Original Text: Act 5, Scene 3, https://www.nosweatshakespeare.com/romeo-juliet-play/text/. 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