Our three producers were Scott Rudin, Anthony Minghella and Sydney Pollack. “And, of course, he worked with grade-A collaborators on both sides of the camera -- the best screenwriters, the best actors -- and it shows.”. “Here’s a man who could have himself been a movie star of a certain type had he so chosen, because he really is that good an actor,” she said, adding that Pollack, who spoke to film students at Wesleyan several times, also “cared about education” and was a “natural-born teacher.”, Pollack’s experience as an actor and acting teacher helped earn him a reputation as an “actor’s director.”, “He talks in a language that actors can understand,” Ed Harris, who played an FBI agent in Pollack’s 1993 dramatic thriller “The Firm,” told USA Today at the time. Pollack also received a best director Oscar nomination -- and a New York Film Critics Circle Award -- for “Tootsie.” In the 1982 comedy, Dustin Hoffman stars as Michael Dorsey, an unemployed New York actor who revives his career by transforming himself into a “woman” -- actress Dorothy Michaels -- who lands a role in a TV soap opera and then finds himself falling in love with an actress on the show, played by Jessica Lange. “It’s more about watching other directors work.”. Under an executive order from Gov. “But the world did, they went crazy.”. In the late 1990s, Pollack replaced Harvey Keitel in Stanley Kubrick's "Eyes Wide Shut" (1999). He stalled again with the little seen Random Hearts (1999), despite Harrison Ford and Kristin Scott Thomas. In 1992, he appeared in Robert Altman's "The Player," as well as in Robert Zemeckis' "Death Becomes Her." “His films have a lyrical quality like great music, and the timing is impeccable,” cinematographer Owen Roizman, who shot five films directed by Pollack, including “Tootsie” and “Havana,” said when it was announced that Pollack would receive the 2006 American Society of Cinematographers Board of Governors Award for his contributions to filmmaking. He offered glossy middlebrow entertainment, seldom displaying great originality, and liberalism without causing ripples. Slideshow: Celebrity Sightings
At 17, he left home for New York, where he enrolled in Sanford Meisner's Neighborhood Playhouse. The Pollack-Redford collaboration also produced “The Way We Were” (with Barbra Streisand), “Jeremiah Johnson,” “Three Days of the Condor” (with Faye Dunaway), “The Electric Horseman” (with Fonda), “Out of Africa” (with Meryl Streep) and “Havana” (with Lena Olin). Films made under Pollack's Mirage banner include "The Fabulous Baker Boys," "Innocent," "White Palace," "Ralph," "Searching for Bobby Fischer" and "Flesh and Bone. He had a very sharp political sensibility and a keen sense of what the issues of his world were, and he advanced and changed as the times advanced and changed.”, Film critic and historian Leonard Maltin said “the hallmark” of Pollack’s career “has been intelligence, both in his approach and his selection of subject matter.”, “Good, bad or in between, his films at the very least respected their audience,” Maltin told The Times. Sydney Pollack works on the set of 1969’s They Shoot Horses, Dont They? The Depression-era drama about marathon dancers starred Jane Fonda and earned Pollack an Oscar nomination for best director. The theme song, engaging leads and glossy veneer made it popular and years later it came ninth in an audience poll of the Top 100 Movies - four above Pollack's Out Of Africa. Sydney Pollack Obituary LOS ANGELES (AP) - Academy Award-winning director Sydney Pollack, a Hollywood mainstay who achieved commercial success and critical acclaim with the gender-bending comedy "Tootsie" and the period drama "Out of Africa" while often dabbling as a television and movie actor, has died. Sydney Pollack and Bill (photo above) were partners for over ten years and together they produced some great movies. Duane Byrge Discover the real story, facts, and details of Sydney Pollack. LOS ANGELES — Sydney Pollack was remembered Tuesday as a generous, unpretentious talent by the elite actors he directed in films such as “Out of Africa,” “Tootsie” and “Absence of Malice.”. Pollack, who occasionally appeared on the big screen himself, worked with and gained the respect of Hollywood's best actors, including Robert Redford, Dustin Hoffman and Meryl Streep, in a long career that reached prominence in the 1970s and 1980s. Pollack, right, speaks with Steven Spielberg in 1989. At 96, Roberta McCain became the Republican senator’s secret weapon on the campaign trail. The film, which Pollack co-produced, received seven Oscar nominations, including for best picture and a best actor nod for Clooney. Two of the three are now dead. . The rest, he would say, "You guys will sort it out.". “On the other hand, it’s an enormous help.”, Pollack first met Redford when they acted in 1962’s low-budget “War Hunt,” and would go on to play a major role in making Redford a star. Co-acting with Redford and the film's equally handsome lead, John Saxon, may have influenced Pollack's career as he realised that fame and fortune was better assured behind the camera, rather than as a character actor. The handsome, leisurely docu-western Jeremiah Johnson (1972) and the massive box office hit, The Way We Were (1974). They are more temperamental. Pollack also had a boxoffice hit in 1993 with "The Firm," a well-regarded adaptation of John Grisham's best-seller starring Tom Cruise. Sydney Pollack was remembered Tuesday as a generous, unpretentious talent by the elite actors he directed in films such as “Out of Africa,” “Tootsie” and “Absence of Malice.” “I know what he can and cannot do; I know all the colors he has. Hall of Fame second baseman Joe Morgan was a two-time National League Most Valuable Player and a 10-time All-Star. Pollack was born on July 1, 1934, in Lafayette, Ind. By continuing to use the site, you accept our. Associated Press Writer Marcus Franklin in New York contributed to this report. Sydney Pollack died yesterday of cancer. Inevitably he will best be remembered as the director of Tootsie, a movie oddly dubbed as the "second funniest film of all time" but it is certainly just one great credit among dozens. Pollack in April 2005, days before the release of “The Interpreter,” which turned out to be the last of the 21 feature films he directed. “Most of the great directors that I know of were not actors, so I can’t tell you it’s a requirement,” he said. The Yakuza marked his first work as producer-director and Paul Schrader's screenplay suited his contemplative style. Over the years, several of his other films, including „Tootsie" and „They Shoot Horses, Don't They?" But the result was a hit at the box office and received 10 Oscar nominations, with Jessica Lange winning for best supporting actress. After two years of study, Pollack became Meisner's assistant, serving for six years until 1960. Pollack directed and acted in “Random Hearts,” a 1999 drama starring Harrison Ford and Kristin Scott Thomas. There weren’t many Jews like us, and it was real anti-Semitic.”. You’re doing it alone. The love soon frayed as Pollack and Hoffman differed over whether the film should lean toward comedy or drama, and the tension spilled into the public arena. The director, marooned in ho-hum land, bounded free with Tootsie, which received 10 Oscar nominations and came second to ET at the box office. The film was dominated by fine ensemble playing, but Pollack frequently proved himself a match for his actors, including cameos in his own movies. That unlikely romance, starred Barbra Streisand as a gawky, Jewish leftwinger colliding with a conservative, handsome gentile. “We started together in New York and he always excelled at everything he set out to do, his friendships and his humanity as much as his talents,” Martin Landau, a longtime close friend and associate in the Actors Studio, said in a statement. “He’ll be missed terribly.” The AP reports that when Sydney Pollack died he was surrounded by family. Pollack plays Marty Bach, the head of a corporate law firm, in Michael Clayton, a drama starring George Clooney that has been nominated for a best picture Oscar this year.
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