Famous dancers of the past now work as ballet masters and mistresses, coaching the company’s principals, soloists and corps de ballet: People’s Artist of Russia, Lyubov Kunakova; Merited Artist of Russia, Yuri Gumba; and Margarita Kullik are just three of these renowned former dancers now passing on their knowledge and expertise to today’s performers, the St Petersburg Ballet Theatre have created many home-grown stars of its own over the past two decades. The St Petersburg Ballet Theatre remains the centre of attention for the world’s press, performing as it does in such celebrated theatres as the London Coliseum, the Royal Albert Hall, the Théâtre des Champs Elysées in Paris, the Brooklyn Academy of Music in New York, the National Theatre in Washington, the Bunkamura Hall in Tokyo, the National Theatre of Taipei, the National Theatre in Beijing and the Princess Theatre in Melbourne. In late 70s – early 80s Eifman’s theatre is working out its own individual approach to repertoire formation. The St. Petersburg Ballet Company is the official company-in-residence at the Academy of Ballet Arts (a 501(c)3 Nonprofit). Internationally, the Mariinsky Ballet continues to be known by its former Soviet name the Kirov Ballet. Mikhailovsky Theatre is yet another ballet company which is one of the oldest and finest in the Ballet scene. To be independent of government funding or any major sponsor is a remarkable and unique achievement in the modern age. These works were generally recognized. Eifman’s novelty in how he chose literary basis and music for his ballets, the audacity of the body movement vocabulary secured for him the reputation of “a choreographic dissident”. The Mariinsky Ballet is today recognised as one of the world's greatest ballet companies, employing over 200 dancers, including a reserve troupe and character artists. The company’s first performances such as Two-Voice and Boomerang brought success and stirred intense interest of the audience; ballet critics began arguing about new tendencies in the Russian ballet. The Mariinsky Ballet is the parent company of the Vaganova Ballet Academy, a leading international ballet school. Another Eifman-initiated ballet institution is to be built and opened in St. Petersburg in the near future. Originally choreographed by Julius Reisinger for the Bolshoi Theatre in 1877, Swan Lake was initially a critical and commercial failure. Forming an original ballet repertoire of modern Russia based upon the rich traditions of Russian psychological theatre, along with searching for and developing new forms of choreography of the XXI century are among the key priorities within the artistic mission of Boris Eifman and his brilliant company.

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