This work by Smith, considered by many to be the greatest American sculptor of the 20th century, is from a series of twenty-eight related works called Cubi that were begun in 1963 and remained unfinished at the time of his death in 1965. Then these brandy boxes became the boxes for the form on which the Cubi were based. Cubi II Collection of Candida and Rebecca Smith. Smith intended the 'Cubi' works to be shown outside, so that the burnishing of the stainless steel would reflect changes in lighting conditions. Smith intended the 'Cubi' works to be shown outside, so that the burnishing of the stainless steel would reflect changes in lighting conditions. Between 1961 and 1965, Smith made a series of twenty–eight sculptures that he termed "Cubi." earliest, one. By visiting our website or transacting with us, you agree to this. It was shipped to Spoleto for exhibition in June of 1962. Narrator: In Cubi XXI, a diagonal pole leans against a kind of brace. ); , Musée Rodin, Paris, June-October 1965 (58, repr. These pieces abandon two-dimensional planes for cylinders and rectilinear solids that achieve a sense of massive volume. For access to motion picture film stills please contact the Film Study Center. Next to the sketch he wrote: "polished - like I feel if I make square clouds". (London 1968), p.122 in colour. We have identified these works in the following photos from our exhibition history. If you notice an error, please contact us at [email protected]. p.63; Jane Harrison Cone and Margaret Paul, 'The Sculpture of David Smith: A Handlist' in exh. Narrator: Smith made all of the Cubi between 1961 and 1965—a time when younger sculptors often used industrial fabrication. Smith often worked in series. It similarly gives the idea of simple architecture and balance, but his “This is the only time, in these stainless steel pieces, that I have been able to utilize the light and I depend upon the reflective power of light,” Smith said of the work. In Cubi X gleaming stainless steel rectangles and squares of various dimensions are assembled to evoke the human figure. (One possibility might be that the numbers relate to the order in which they stood in the fields). In 'Cubi XIX', and a number of related pieces, the forms on the cross beam are arranged rather like a still life, though elevated by the vertical beam. 57; Clement Greenberg, 'David Smith' in Art in America, LIV, January-February 1966, pp.28-9, 32; Rosalind E. Krauss, The Sculpture of David Smith: A Catalogue Raisonné By mimicking that structure in welded steel, Smith was making a kind of joke—marble is a relatively soft material, and steel is anything but. Find more prominent pieces of sculpture at Wikiart.org – best visual art database. It is one of four 'Cubis' (XVII, XVIII, XIX, XX) of 1963-4 in which the stainless steel boxes or discs are grouped well above the ground on a kind of platform. ); , Rijksmuseum Kröller-Müller, Otterlo, May-July 1966 (42); , Tate Gallery, August-September 1966 (43, repr. These pieces abandon two-dimensional planes for cylinders and rectilinear solids that achieve a sense of massive volume. Like many of the Abstract Expressionists, Smith possessed the ability to easily switch between an abstract and figurative style of working. Does this text contain inaccurate information or language that you feel we should improve or change? Mai 1965 in Bennington, Vermont) war ein amerikanischer Maler und Bildhauer, der dem abstrakten Expressionismus zuzuordnen ist. When Smith got back to Bolton Landing he must have begun the next - "Cubi VIII" which is dated Dec. 24 1962. Gallery label, September 2004 Smith…. Despite its monumental scale, the organization of the asymmetrical forms onto a variety of spatial planes—vertical, tilted, or horizontal—leads the eye upward, against gravity. These pieces are among the last works completed by the sculptor David Smith. His last work, Cubi XXVII (1965), part of a series of towering stainless steel sculptures meant to be installed outdoors, broke the auction price record for postwar art at Sotheby's in 2005. Other articles where Cubi is discussed: David Smith: …of planes, but in his Cubi (begun in 1963), his last great series, Smith relied instead on the light of the sculptures’ outdoor surroundings to bring their burnished stainless-steel surfaces to life. The Cubi may respond to those works. The geometric shapes, their two–dimensional orientation, and the shimmering effects of the polished and scratched stainless steel surfaces recall the paintings of Pablo Picasso and Georges Braque from the early twentieth century. https://www.britannica.com/topic/Cubi-sculpture-series-by-Smith. This echoes classical marble sculpture, which often requires a support element to hold the work upright. "Cubi IX" came next. Previous Next. The artist died in a car accident on May 23, 1965, soon after the completion of Cubi XXVIII, which may or may not have been the last sculpture he intended to create in this series. Cubi XIX by David Smith Tyler Nather Andre Gordon Ms. Starmer Humanities 4/9/2015 Cubi XIX Other Works in the Cubi Series Reflection David Smith Cubi XXVII is another sculpture made of stainless steel. 57; Clement Greenberg, 'David Smith' in. Inscribed 'David Smith 2-20-64 CUBI XIX' on base All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. Then come all the ones done in the late winter and early spring of '63: "Cubi I", IV, VI, VII, X, XI, XII, and XIII. ); , Kunsthalle, Nuremberg, January-February 1967 (42, repr. "Barnett Newman: The Late Work" at The Menil Collection, Houston (2015), Untitled (Elemental Sculpture) [steel flange and stone], ca. Stainless steel, 112 3/4 x 58 1/4 x 40 (286.5 x 148 x 101.5) Artist: David Smith American, 1906–1965. 1953, San Francisco Museum of Modern Art (SFMOMA), Squares with Two Circles (Monolith), 1963 (cast 1964). fig. Collection of The Lipman Family Foundation Photo by Jerry L. Thompson. Although the Cubis are abstract works composed of geometric shapes, they are ambiguously figural. For example, the pictured Cubi VI appears to be standing on a pair of crossed legs. (New York and London 1977), No.667, pp.116-17, 120, repr. D. J. A lively and informative new podcast for kids that the whole family will enjoy! We would like to hear from you. These sculptures were not completed in the order in which they are numbered, as revealed by the inscriptions (see below) that Smith welded onto the base of each.[1]. We use our own and third-party cookies to personalize your experience and the promotions you see. ); David Smith, Kunsthalle, Nuremberg, January-February 1967 (42, repr. Yet it is executed in the manner of the rest of the series - fabricated stainless steel volumes with burnished surfaces. …of planes, but in his Cubi (begun in 1963), his last great series, Smith relied instead on the light of the sculptures’ outdoor surroundings to bring their burnished stainless-steel surfaces to life. , LIV, January-February 1966, pp.28-9, 32; Rosalind E. Krauss, (New York and London 1977), No.667, pp.116-17, 120, repr. The twenty-eight 'Cubi' sculptures were the last series made by Smith before his death in 1965. 666 (incorrectly captioned 'Cubi XVIII')Repr: Ronald Alley, Recent American Art Cubi VII Date: 1963. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). David Smith, Marlborough-Gerson Gallery, New York, October 1964 (8, repr. In 1959 Smith made a sketch for a work which he executed in 1961. Interested in the painterly potential of sculpture, he built his works by welding together found objects, machine parts, and forged metal. The Cubi series is a group of stainless steel sculptures built from cubes, rectangular solids and cylinders with spheroidal or flat endcaps. What seems to me to be the case is that the idea of the Cubis as a series did not occur to Smith until he was well into the third or fourth one, at which point he changed the name from "Cube" to "Cubi" and numbered the group which he had made up to that point in the spring of 1963'. Narrator: In Cubi XXI, a diagonal pole leans against a kind of brace. This echoes classical marble sculpture, which often requires a support element to hold the work upright. The name, which Smith invented, links them to Cubism. The resultant sculpture dated Oct. 11 1961 he called "Cube III". Between 1961 and 1965, Smith made a series of twenty–eight sculptures that he termed "Cubi." But here again Smith points to the sculptural tradition in order to alter it from within. The Cubi series is a group of stainless steel sculptures built from cubes, rectangular solids and cylinders with spheroidal or flat endcaps.

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