The casting is admirable. There’s a brisk, enjoyable early chase through the casbah — the kind of springy action that the director, Guy Ritchie, does pretty well — and a couple of Bollywood-inflected numbers that remind you, pleasantly enough, of the proud history of the musical as a film genre. Directed Some of the voices may make you regret the reminder. As directed and choreographed (and choreographed, and choreographed) by Casey Nicholaw, and adapted by the book writer Chad Beguelin, “Aladdin” has an infectious and only mildly syrupy spirit. I know it’s pointless to complain about Disney’s drive to wring every last dollar from its various brands. DidHeLikeIt.com is your official guide and translator for all the Broadway theatre reviews by Ben Brantley, the chief theatre critic for the New York Times. Never be out of the loop again! I don’t mean to suggest that Mr. Nicholaw, best known for the spectacularly smutty “Book of Mormon,” has infused the original material with subversive aspects, or even a single naughty word. We also use the Ben-o-meter for all of the other prominent publications such as New York Daily News,Newsday, USA Today, Variety, and more! With just one rub of a magic lamp, Aladdin’s journey sweeps you into an exotic world full of daring adventure, classic comedy and timeless romance. New Amsterdam Theatre (see Broadway). ‘Aladdin’ Review: This Is Not What You Wished For A threadbare magic-carpet ride to nowhere special, with Will Smith as a blue genie. As twilight descends over New York City, take in the lights of the Manhattan skyline from a boat on this evening harbor cruise. As directed and choreographed (and choreographed, and choreographed) by Casey Nicholaw, and adapted by the book writer Chad Beguelin, Aladdin has an infectious and only mildly syrupy spirit. Such awesomeness, of course, is to be expected from Aladdin, Disney's latest Broadway translation of a beloved animated fantasy. They are weird and grotesque hybrids, belonging to no particular era, style or creative sensibility, like dishes at a chain restaurant that fuse disparate food trends to produce flavors alien to every known earthly cuisine. Aladdin may be named after its lead street urchin character, but the musical comedy that just opened at the New Amsterdam Theatre is all about one character: the Genie. Not to mention enough baubles, bangles and beading to keep a whole season of “RuPaul’s Drag Race” contestants in runway attire. Ain’t Too Proud – The Life And Times Of The Temptations. The visuals are tired and perfunctory green-screen placeholders. But the notion that “Disney Aladdin” somehow resurrects the spirit of the late Howard Ashman, who had the original inspiration for the movie and contributed most of its clever lyrics, is a joke. Credit... Sara Krulwich/The New York Times “Aladdin,” the 1992 cartoon feature with Robin Williams as a garrulous blue genie, may not be the best movie from Disney’s second golden age of animation, but like the others it has durable charms and memorable songs. March 20, 2014: Its exotic Middle Eastern setting and multiethnic cast aside, Aladdin offers less "A Whole New World" – to quote its signature song – than a traditional Disney fairy-tale realm; it's perhaps the most old-school of the company's screen-to-stage adaptations since Beauty and the Beast.

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