Irrespective of future science, she suggests there is an urge in parenting from time immemorial to have another go. Designer Lizzie Clachan achieves technical wizardry – the living-room arena of familial confrontation rotating with each twisty new scene, and the rear scenery altering in more discombobulating ways, like a subliminal correlative to the play’s thematic dialectic about genetics and surroundings. All rights reserved. The biblical Cain and Abel story hangs over the brothers’ rivalrous relationship, and Salter’s desire to have his first son cloned seems to be connected to the parental fantasy of getting it right the second, third or 20th time around. Clive Davis. Johan Persson. Morgan is outstanding in his switches between the three brothers, bringing a different energy to each one, while Allam plays Salter as a stuttering, deflecting, morally evasive man. We urge you to turn off your ad blocker for The Telegraph website so that you can continue to access our quality content in the future. The frontiers of that “scary” science brought with it a barrage of ethical dilemmas around genetic replication. • At the Bridge theatre, London, until 14 March. It is not the angry Bernard 1 nor the fearful Bernard 2 who are the most disturbing characters in this play but Michael, another cloned son (also played by Morgan), because he remains unruffled by the fact that there are numerous versions of him in the world. At the Donmar, the performance-run has been extended for Far Away, her much-praised 45-minute plunge into a world of casually insinuated horror and engulfing chaos. Does science degrade humanness through its exact replication? Nuffield, Southampton Human individuality is at the heart of Caryl Churchill's brilliantly staged, punchy and discomforting look at cloning Within a few minutes of stage-time, Churchill has spawned a human-interest drama of the highest order – at one level a chilling hypothesis with myriad ethical ramifications, at another a white-heat encapsulation of core impulses we often fail to confront. ... A Number review… A heavy drinker, he neglected and abused his son, then put him in care. Clachan also created the set for Far Away and, like that design, this has startling scene changes as the lights drop to black and snap back on to a transformed stage. Allam lets Salter’s real nature leach out. Just as Salter’s story begins to unravel, so in a way does his boy – not his first offspring, it transpires, but a replica of an older child, initially posited as having died, along with his mother, but later revealed to be alive, estranged, and vengeful. Allam gives a diametrically opposite reading to Gambon – not at all imposing: hunched and hangdog, shuffling and sheepish, a man in off-the-peg clothes in a suburban milieu. by Matt Wolf Friday, 21 February 2020. There’s something smart about this; it’s as if Salter is giving a performance of humility through which poke sharp blades of threat and residual menace, like a version of a dad, not the real thing. You need to be a subscriber to join the conversation. A Number review – Caryl Churchill's clone fable counts cost of progress 3 / 5 stars 3 out of 5 stars. Johan Persson. Until March 14; Tickets: 0333 320 0051; bridgetheatre.co.uk. Bluebeard. Do they need to be unique to be human? Beneath specific questions about their early lives, their dead mother and their cloning lie big existential interrogations: is the original Bernard 1 more “real” than the cloned Bernard 2? Sarah Crompton; Locations. But together their performances don’t quite fizz into the full-on chemistry needed to crank up the tension between them. This is a short, crunchy evening but the head-spinning stuff of lingering nightmares. Things ramp up after the first of several adroit scene changes on Lizzie Clachan’s tatty domestic set when we discover that B1 is himself a clone of Salter’s original son, B2 – Morgan again, but threateningly clenched and cold-eyed. “I don’t know what I think, I feel terrible,” he splutters, as his father – a man called Salter – offers a mixture of indignation (asserting that Bernard’s DNA must have been stolen) and evasion (which breeds fast-growing suspicions). Bernard 1 and Bernard 2 (both played by Colin Morgan) are sons seeking answers from their father, Salter (Roger Allam). Bridge theatre, London Roger Allam plays a father with multiple versions of the same son in a drama that feels like an early noughties Black Mirror, Wed 19 Feb 2020 17.00 EST SE1 2SG, ★★★★ 'Magnetic Aimie Atkinson brings power and depth to musical rom-com revival', ★★★★ 'Roger Allam and Colin Morgan give fine performances in Caryl Churchill's nature-nurture debate', ★ 'Two men's internal struggles overshadow beefed-up musical', ★★★★★ 'Antoinette Nwandu's shattering study of racism's dream-stealing power', ★★★★ 'Lesley Manville is magnetic in Tony Kushner's superb, but very long, drama', ★★★★ 'Tom Stoppard's new masterwork is an early contender for play of the year', ★★★ 'Beguiling energy to a passionate debut about breaking down barriers', ★★★★ 'Stunning craft and sinister visions in spine-tingling Caryl Churchill revival', ★★★ 'Lucy Kirkwood's messy but significant work has a gutsy audacity', ★★★★ 'Daniel Radcliffe gives his best stage performance yet in Samuel Beckett double-bill', ★★★★ 'Rafe Spall rages through grief and fury in electrifying one-man play', ★★★★ 'Toby Jones is in his comic prime in a retooled Chekhov for our times', ★★★ 'An exhilarating feminist story but big ideas are unevenly executed', ★★ 'Apartheid battle reduced to an odd-couple double act', ★★★ 'Newcomer Jessica Rhodes is magnetic in Lucy Prebble's prescient play', ★★★★ 'Revamped musical opens at London's Sondheim Theatre with added grit', ★★★ 'Forget subtlety — it’s all about the bants', ★★★ 'Fine performances in intellectually strenuous play', ★★★★ 'Revival feels more nimble and resonant than ever', ★★★★★ 'Elena Ferrante's story makes a triumphant transition to stage', ★★★ 'A standout emotional and vocal performance from Sam Tutty', ★★★★ 'This jukebox musical is an absolute blast and features a powerful turn from Miriam-Teak Lee', ★★★★ 'This feel-good extravaganza defies both logic and pessimism', ★★★★ 'It’s not just a physical challenge that’s dramatised, but a moral one too', ★★★★ 'A sure hit that dares to be different', A Number review: Roger Allam and Colin Morgan give fine performances in Caryl Churchill's nature-nurture debate.

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