The 55th Street Playhouse—periodically referred to as the 55th Street Cinema and Europa Theatre—was a 253-seat movie house[3] at 154 West 55th Street,[2] Midtown Manhattan, New York City, that opened on May 20, 1927. At the armory they could smoke as they wished, but the building contained neither the amenities not the specific facilities of a theater. These spaces, which were used much more frequently and at different times than the auditorium or banquet hall, share the West 56th Street entrance. They just got more graphic after the courts labeled films as protected free speech. An ad for Lonesome Cowboys at the 55th St. Playhouse that appears in the 31 July 1969 Village Voice announces the return of Flesh – opening Monday. By mid-19th century its original purpose, to assist local governments in suppressing crime and maintaining law and order, had matured to the more civilized level of fraternal benevolence. The great dome, covered with glazed roof tile and visible from a distance, is multifunctional. So the beginning of the double bill was between 4-11 September, probably the 8th as the films at 55th Street usually changed on a Monday. He worked his way up, as a clown and early ringmaster for P.T. A brief history of the AAONMS , not only explains the' appearance of Mecca Temple/City Center, it also puts the building into the context of the architecture of fraternal orders . Among the important early productions were Othello with Paul Robeson and Jose Ferrer as Iago, Harriet with Helen Hayes, La Traviata with Dorothy Kirsten singing Violetta and Angel Street with Uta Hagen. Malanga assisted the artist with the production of silkscreens, films, sculpture, and other works at "The Factory", Warhol's aluminum foil-and-silver-paint-lined studio on 47th Street (later moved to Broadway). Knowles drew upon a more general academic historicism, including the Alhambra, Egyptian mosques and Templar church facades. Before, the end of the decade City Center debuts had been made by Beverly Sills, Orson Wells, Maurice Evans, Celeste Holm, Emlyn Williams, Basil Rathbone, Edna Best, Jessica Tandy, Hume Cronyn, Geraldine Fitzgerald, Marcel Marceau, Elai. The West 56th Street facade is very different, reflecting the function of this part of the building. Subsequently he witnessed ceremonies in Algeria and Cairo. This is the theater that debuted Viktor Und Viktoria, the German language original that was remade into First A Girl and much later, Victor/Victoria. City Center/Mecca Temple, built in 1924 to house the functions of the Ancient Order of Nobles of the Mystic Shrine , has a significant place in the architectural and cultural history of New York City. The Ailey Citigroup Theater 405 W 55th St New York NY 10019. It is not the equal, nor was it intended to be, of the 55th Street facade. The need for a permanent house became apparent when he was confronted with the fact of trained and skillful musicians playing fine concerts under the most makeshift conditions. The architects' serious, intelligent and skillful solution deserves recognition. The New York City Ballet's innovation interpretation was well-known but management, preferring to deal only with earned profits, refused to extend funding for untried experiments in dance. Legal. The West 55th Street facade of the Mecca Temple is a monumental expanse of ashlar sandstone enclosing the back of the auditorium and only sparsely pierced by slit-like lancets. 154 West 55th Street", "A 19th Century Stable Hidden in the Heart of Midtown Manhattan", "55th Street Playhouse - 154 W. 55th Street, New York, NY 10022", "55th Street Playhouse - 154 W. 55th Street, New York, NY 10022 - photos", "Top of the Pops - Did Andy Warhol change everything? After serving as a surgeon in the Civil War he moved to Rochester where he became a Mason, though he was not "coroneted" a 32rd° Scottish Rite Mason until 1872 in New York. We can infer from Florence's and Fleming's biographers that today's Shriner "policy" of good times, horseplay, and practical jokes m support of medical research, stems from the founders' subsequent collaboration. These people all participated in the Factory films, and some—like Berlin—remained friends with Warhol until his death. The building had previously served as a horse stable, with the façade preserved for its architectural importance. The deficits of the New York City Opera were covered by the small profits generated from dance and symphony concerts, theatrical productions and donations. When legal title to Mecca Temple passed to the City, LaGuardia assigned Morris the task of putting the building to use. The Mayor was placed in seat G-1 and soon his program was bleary with raindrops. Among the Shriners' chief fund raising methods are its circus troops which have amazed and delighted many across the land for decades.*. During his arduous Masonic preparation, Fleming determined a "playground for Masons" who had reached the 32° would be beneficial and he shared this idea with Florence. This building, more than the "fantasy realm" suggested by much cinema architecture, is one of the best in the little documented building category: architecture of fraternal orders. The facade's success rests in the tightly balanced play, or mesh, of the two sub-schemes, massive bulk and human-scaled entrances. Thus, the alfiz and this great arch serve not only to unify the facade but to indicate interior arrangement of the exterior. Cheap tickets for the People's Theater was his credo. But the Center continued to grow. Collaboration would remain a defining (and controversial) aspect of his working methods throughout his career; this was particularly true in the 1960s. In 1850 he joined Lodge #2 of the Masons in Philadelphia. then the next week turned into a gay porn house. Two derricks lifted it to a long truck on the dock. http://www.examiner.com/review/classic-films-him-1974. Many classic art and foreign-language films, including those by Jean Cocteau, Sergei Eisenstein, Federico Fellini, Abel Gance, Fritz Lang, and Orson Welles, were featured at the theater. The presiding judge, Jack Rosenberg, stated, “[The film] is patently offensive to most Americans because it affronts contemporary community standards relating to the description or representation of sexual matters.”[1], The 55th Street Playhouse building was partly rebuilt in the 1980s,[2] and the ground floor, at 154 West 55th Street, was altered to be a truck entrance. Successful beginnings were followed by maintenance cares and growing pains in the 1950s. Aymar Embury, Jr., architect for many City-sponsored structures in" the 1940s, was asked to investigate the building. On 20th December 1968 Andy Warhol’s “Lonesome Cowboys” starring Joe Dallesandro had its New York Premiere and played at the 55th Street Playhouse from May 5, 1969. On January 31, 1922, the Shriners, as Mecca Holding Company, bought a block-through tract, four lots ost 55th Street and three lots on Vest 56th Street between Sixth and Seventh Avenues, from Yale University Two adjoining lots on 55th Street were secured three months later abandoned motion picture studio occupied the Yale tract, the streets were unimproved, and stables and garages characterized the rest of the block. “The ultimate web site about movie theaters”, Contributed by Here is a solution to the 20th-century phenomenon of windowless screen wall. But these were limited by the regular schedules of these halls. The Order's activities in this country are fraternal and philanthropic. In 1955 Lincoln Kirstein's dissatisfaction with managerial policy was reported. theater went from being an noted art house showing a question.i suppose anything is possible in the [1][a], Former movie theater in Midtown Manhattan, New York City, United States, This article is about a theater presenting Andy Warhol films. Less well known was his support and collaboration with several teen-agers during this era, who would achieve prominence later in life including writer David Dalton,[7] photographer Stephen Shore[8] and artist Bibbe Hansen (mother of pop musician Beck). The banquet hall, located below the auditorium, was accessible both from the auditorium lobby and the wide street entrance westernmost on 55th Street. The gutted interior became a 299-seat auditorium in Spanish mission style. The Home Life facade employs a tripartite scheme, while the Metropolitan Life tower is a 32-story shaft that recalls a Renaissance campanile: the clockface, arcade, steep hipped roof and cupola with beacon, are lofty terminal features rendered in classical terms. teen years when it was an art house. Then On 30 October an ad appears advertising Flesh at “Trump Village” – a venue I’m not familiar with. The main floor lobby is entered through the center five of these nine arches. Two years later the Trustees transferred title to the 130 West 56th'' Street Corporation. The first is the massive one to be seen from the corner — a huge sandstone cube encompassing a single, shallow, pointed arch inscribed across it, which is articulated by a cornice of heavy dentils suggesting crenelation, and the chamfered upper corners making the transition to the great, glazed-tile dome. Associations with the architecture of past civilizations are manifest in Masonic buildings, especially the lodge room interiors . Knowles was faced with a threefold challenge: an irregularly-shaped site; the juxtaposition of an access to spaces vastly varying in size and function; and the expression on the facade, of the Shriners' historic associations. Two years earlier in 1870, Florence had played Marseilles and was taken to a Shrine meeting of the Bokara Temple, a unit of the Arabic Order of Bektash and "survivor" of the Order of the Mystic Shrine. It was not really overnight. The pioneer art cinema was a contemporary of the Roxy Theatre, which had opened in March of that same year. Long before the Shriners undertook the support of hospitals for orphaned and crippled children in 1920, they were engaged in philanthropic relief. But St. Mary's became known as the "Chicago Church" for its steel skeleton was the precursor, for the structural steel framework of the Metropolitan Life tower. favorited this theater, Functions: With both the ten-story Metropolitan Life Insurance Company Building on Madison Square and the 15-story Home Life Insurance Building at 265 Broadway, LeBrun used classical elements to achieve a balance between horizontals and verticals. It debuted there in January of 1935. i had passed by this theater many times in my Although the City would not contribute financially, it would lease the building to the Corporation for $1.00 a year and assume any responsibility for repairs and improvements. Marseilles or in Cairo, he obtained 3 copy of the ritual, returning with it to New York. big wide world of ours but i can’t believe this

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